Paolini forgoes flowery prose and instead opts for straightforward, third-person narration that is as much about setting ambience as it is about disseminating information. Kira and other characters use similar tech in space and it tracks because we know what it looks like, even if practical application hasn’t reached the potential fiction has shown us. In Marvel’s Avengers films, Iron Man uses nanotechnology to build a suit of armor around himself, and we understand how it works, despite the lack of real-world examples. The technology used throughout the novel feels like natural advancements of things we have a real-world grasp on, or at least a strong theoretical understanding of. When characters go into cryo, and ships go into faster-than-light travel, it all feels plausible. Adherence to these constraints makes the setting feel lived-in and believable. Paolini wanted the science to be based on real theory, to not outright break physics, and to not allow for time travel. It’s not always important that science fiction be grounded in real science, but employing real-world logic, even if theoretical, makes the story accessible. It’s clear, though, that the author has a positive attitude toward human expansion into space. To Sleep in a Sea of Stars does not spend a lot of time weighing the morality of colonization, but it also doesn’t take a clear stance for or against it, Paolini makes no judgement. Still, humanity has moved far enough beyond its petty hangups to collaborate, and people from throughout colonized space work together to perpetuate the spread of humanity throughout the known universe. It seems that proximity to the homeworld is a measure of status: the closer you live to it, the more power and wealth you’re likely to possess. We get glimpses of this when characters talk about Earth, and the other planets that revolve around Sol. Humans may be beyond most of the present-day prejudices and -isms, but the class system that assigns value to people based on where they’re from or where they live does exist. What is apparent in To Sleep in a Sea of Stars world is that humanity has yet to evolve past its need for the structures of governance that create oppressive divisions among it’s populace, wherever they may be in the galaxy. Further, characters are allowed to have distinct racial, sexual, and religious identities, doing away with the idea that conformity and sameness is the only way toward peaceful coexistence. Race, gender, and sexuality have no obvious hierarchy, and if value is placed on these things, it is not immediately apparent in the story. It depicts a future where humans spread out across the stars, and in doing so, move beyond the arbitrary differences that plague our real-world existence. Unlike much of what is on storytelling offer right now, Paolini’s novel offers an optimistic vision of humanity’s potential. It’s well-written, well-paced fun, and a satisfying read beginning to end. The book, Paolini’s first full-length novel in nine years, is an enthralling space adventure with high concepts and even higher stakes. The story follows xenobiologist Kira Navárez as a chance encounter with an ancient, alien artifact propels her into an epic space adventure across the vast expanse of the galaxy, in a fight for the fate of humanity. To Sleep in a Sea of Stars is the science fiction debut from Christopher Paolini, the best-selling author of Eragon (“The Inheritance Cycle” series).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |